Department of Music Concert and Event Listing

Most Department of Music events are general admission, FREE and open to the public.  Ticketed performances are listed below and available for sale online or via the Music Box Office: (858) 534-3448. 

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PLEASE NOTE: NO LATE SEATING.  Guests arriving late may be turned away or will be asked to enter between pieces.

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WEDS7 red fish blue fish

Wednesday, November 20th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $10.50
Student Rush: Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online


The New York Times calls red fish blue fish a "dynamic percussion ensemble from the University of California." Founded 20 years ago by Steven Schick, the San Diego-based ensemble performs, records, and premieres works from the last 85 years of western percussion's rich history. The group works regularly with living composers from every continent. Recent projects include the world premiere of Roger Reynolds' Sanctuary and the American premiere of James Dillon's epic Nine Rivers cycle with the International Contemporary Ensemble (ICE). In the Summer of 2011 red fish blue fish collaborated with George Crumb, Dawn Upshaw and Peter Sellars to premiere the staged version of The Winds of Destiny. Eighth Blackbird invited red fish blue fish to join them in performances of works by American icons John Cage and Steve Reich at the Park Avenue Armory in New York City. The New York Times called their "riveting" John Cage performance the "highlight" of the program. Recordings of the percussion chamber music of Iannis Xenakis and Roger Reynolds on Mode Records have been praised by critics around the world. Recordings released in the 2012-13 season included the works of Karlheinz Stockhausen, Giacinto Scelsi and rare works of Iannis Xenakis.

In 2012 red fish blue fish presented four concerts of percussion music alongside Percussion Group Cincinnati at the John Cage Centennial Festival in Washington, D.C., where they performed highlights from Cage's collection of percussion works.

RFBF has had a huge impact on new music percussion performances, recordings and education. Successful RFBF/UC San Diego Department of Music alums include Ross Karre, now with ICE; Aiyun Huang, who heads the percussion department at McGill University; Morris Palter, an assistant professor at University of Alaska Fairbanks, where he is also the artistic director of the 64.8 percussion group; and Justin DeHart, who is a member of the Chapman University faculty and of the Los Angeles Percussion Quartet.

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Rachel Allen, trumpet - Graduate Recital

Thursday, November 21st, 2019 7:00 pm

Conrad Prebys Concert Hall

Free



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Undergrad Forum

Friday, November 22nd, 2019 7:00 pm

Conrad Prebys Music Center Recital Hall

Free



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Selector

Saturday, November 23rd, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free


Computer music concert featuring: live video analysis + synthesis, spatial audio, projection, theatre, and interactive works.

FREE AND OPEN TO ALL STUDENTS!!!

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SElectOr

This concert is brought to you by the Sound Electroacoustic Orchestra (SElectOr) at UCSD. This collective is composed of performers, programmers, producers, visual artists and composers. The group is designed to bring access to technological tools to all graduates and undergraduates around campus. Leveraging our positions and connections the collective works together to give everyone access to state-of-the-art equipment and technical support for the purposes of creating new musical materials. Our goal is that no student’s musical vision will remain a dream because of lack of access or knowledge. The group is open to all UCSD students, faculty and staff.

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UC San Diego Wind Ensemble

Saturday, November 23rd, 2019 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Robert Zelickman Chamber Music Concert

Sunday, November 24th, 2019 3:00 pm

Conrad Prebys Concert Hall

Free


Trio, Op. 274 (1905) - Carl Reinecke (1873-1916)
for piano, clarinet and horn
Allegro | Ein Märchen | Scherzo | Finale

Quintet in D Major, Op. 42 (1893) - Zden?k Fibich (1850-1900)                             
for violin, clarinet, horn, cello and piano
Allegro non tanto | Largo | Scherzo | Finale

Mari Kawamura, piano
Cecilia Kim, cello
Päivikki Nykter, violin
Robert Zelickman, clarinet
Jane Zwerneman, French horn                                                     

Program notes

Born in Hamburg but living most of his life in Leipzig, Carl Reinecke was one of the most versatile musicians in 19th century Germany, recognized as a conductor, pianist and teacher as well as a composer. In 1860, he was appointed director of Leipzig’s great Gewandhaus orchestra, a position he held for more than 30 years. There he led the premier performance of Brahms’s German Requiem and joined the Gewandhaus Quartet in the premier performance of Brahms’s great Piano Quintet. He served as a teacher for 35 years, first as a professor at the Cologne Conservatory and then at the Leipzig Conservatory. Students came from all over Europe to study with him, and included composers Edvard Grieg, Leoš Janá?ek, Isaac Albeniz, Max Bruch and Frederick Delius. As a pianist, he toured Western Europe as a concert artist, probably unrivaled as a performer of Mozart. Known for his legato style in a time of keyboard brainstorming, Liszt picked him as the teacher for his own two daughters. Near the end of his life, at the age of 80, he recorded piano rolls, making him the earliest-born pianist to have his playing preserved in any format. As a composer, he first wrote music for his own performance – four piano concertos and cadenzas for concertos by other composers. After his retirement from teaching, he devoted his time for composing, resulting in a life-time output of nearly 300 published works. At a time of great changes in music, he was basically a conservative, producing music of classical design, proportion and restraint.

This Trio was one of three, composed in his mature years, for unusual combinations of instruments; Op. 188 for oboe, horn and piano; Op. 264 for viola, clarinet and piano, and Op. 274 for clarinet, horn and piano. He produced them to perform with Leipzig friends who played instruments then with limited roles in the chamber music repertory.

The Op. 274 Trio, which we hear today, was composed in 1905, five years before Reinecke’s death, and is the work of a superior craftsman writing in the harmonic language and spirit of the late Romantic period just coming to an end. Indeed, the first movement, Allegro, is in conventional sonata form and could well have written by Brahms. It begins with a six-measure horn call repeated by the clarinet and blended with a third theme led by the piano and culminating in a long crescendo to a climax. The second movement is titled Ein Märchen (a German fairytale) – a caption used previously by Schumann for music depicting a somewhat sinister world of fairies. There is a touch of that element here in an otherwise restful mood picture. In the third movement, a Scherzo, Reinecke again follows Schumann’s lead in providing two contrasting trios. Note the vigor and bravura writing for the horn. The Finale, is launched with the clarinet’s statement of the main theme. This is followed by a series of sections giving all three instruments a chance to shine and ending with a formal announcement of the starting theme.  -Willard J. Hertz

Zden?k Fibich is the third of the so-called Big Three of 19th century Czech composers, the other two being Smetana and Dvo?ák. That Fibich is not as well known as the other two is not because his music was in any way inferior, but simply because he lived during a time of extreme national consciousness and unlike Dvorak and Smetana, he did not choose only to write in a purely Czech idiom. Rather, his music, though exhibiting Slavic elements, is more typically Central European in sound. This reflects his background. One of his parents was Czech, the other an Austrian German. His education was at both Czech and German schools. He studied at the famous Leipzig Conservatory then spent a year in Paris. Hence Fibich, in contrast to either Dvorak or Smetana, was the product of two cultures, German and Czech. His instrumental works are generally in the vein of the German romantics such as Mendelssohn, Schumann and Wagner.

Fibich’s Quintet is one of the most original sounding chamber music works because of the unusual tone color effects that Fibich creates. Clearly, in its original version for piano, winds and strings, the nature of the instruments, by themselves alone, creates the stunning and rich effects. However, the version for standard piano quintet benefited immeasurably because Fibich strove hard to maintain the wonderful tone color of the original. The Quintet dates from 1893. Because of the unusual combination of instruments Fibich selected for the original version, his publisher, knowing not many copies would be sold, asked for a version for standard piano quintet. This he produced and yet, such was Fibich's genius, that it in no way sounds like an arrangement and often even gives the feeling of being an altogether separate composition. The main theme to first movement, Allegro non tanto, is warm-hearted and presents a colorful reflection on the peacefulness of nature with a somewhat rustling quality in the background. There is a brief orchestral call to attention before the music seamlessly drifts away. The second movement, Largo, has for its main subject a melody which is serene and dignified but also capable of tremendous passion. A Schubertian Scherzo, with two trios comes next. Fibich gives the instruction "to be played with wild humor." The finale, Allegro con spirito, is bright, joyous and festive.  -Edition Silvertrust

 

Biographies for performers

Robert Zelickman, clarinetist, has been teaching and performing in San Diego since 1982.  He is a member of the bass clarinet quartet JAMB and co-director of Second Avenue Klezmer Ensemble.  Robert was a member of Orchestra Nova for 23 seasons and has performed with the San Diego Symphony and the San Diego Opera. Recently, Robert retired from UC San Diego (1983-2015) where he lectured on Jewish Music, conducted the Wind Ensemble and performed regularly, premiering many new compositions.  He currently performs in recitals and chamber music concerts throughout San Diego. Zelickman earned his BA at UCLA and a MFA at Cal Arts. He studied with Hugo Raimondi, Michele Zukovsky and Ronald Rueben. 

Jane Zwerneman has been an active recitalist, freelance musician and teacher in the San Diego area since 1987, performing regularly in productions at the La Jolla Playhouse and the Old Globe Theater, and with the Gilbert Castellanos Jazz Orchestra, Joe Garrison and Night People, Orchestra Nova and the San Diego Symphony. As horn soloist with the Orquesta de Baja California from 1992-2000 she performed and recorded extensively throughout Mexico and the United States. She earned her MM and DMA degrees from the Eastman School of Music where she studied horn with Verne Reynolds and composition with Samuel Adler and Joseph Schwantner. Dr. Zwerneman was a member of the faculty at Grossmont College from 1989 to 2009. In her spare time she works as Assistant Director of the Stuart Collection at UC San Diego, commissioning new public art for the campus.

A versatile recitalist and chamber musician, violinist Päivikki Nykter, is equally at home with standard repertoire as well as contemporary music. A native of Finland, she is a graduate of the Sibelius Academy in Helsinki. Ms. Nykter served as an Artist-in-Residence at the University of California San Diego Music Department from 1994 to 2006. She is now a freelance violinist maintaining a busy concert schedule as well as teaching the Alexander Technique both in the US and Europe. Ms. Nykter is an artistic director of a Chamber Music Concert Series in Lappeenranta, Finland. She has recorded on Neuma, Aucourant Records, CRI, Old King Cole, Omega Editions and mode labels.

Cellist Cecilia Kim, a native of Korea, where she began her music career at a young age. She received a Bachelor and a Master’s degree at the Daegu Catholic University as a full scholarship recipient and earned another Master degree at San Diego State University. She has held positions in many orchestras including the Daegu Symphony Orchestra and the Daegu Chamber Ensemble. Simultaneously, she made highly acclaimed solo appearances with the Daegu Symphony Orchestra, the Daegu Philharmonic Orchestra, the Daegu Catholic University Orchestra and the University of San Diego Orchestra. Also, she held a faculty position at the Daegu Catholic University and the University of San Diego. Currently, she has been giving many performances around San Diego County.

Mari Kawamura is a concert pianist whose curiosity and wide-ranging interests have taken her in many directions. Her repertoire includes pieces by William Byrd, late Scriabin, Xenakis, Cage and several contemporary Japanese composers. She has been collaborating with composers for many years and has premiered many works by young composers. She has appeared in the major festivals, such as Tanglewood Music Center, Spoleto Festival USA and the Darmstadt International Summer Course and has given both solo and chamber music concerts in various venues, including Jordan Hall (Boston), Regent Hall (London) and Kirsten Kjær Museum (Denmark). Her 2013 performance of Xenakis’s Dikthas at the SICPP in Boston was described as "an unrelenting volcanic eruption" by NEWMUSICBOX. Kawamura holds a Master’s degree from the Royal Academy of Music, where she achieved the DipRAM prize for her outstanding final recital. Her teachers included Vadim Sakharov and Tatiana Sarkissova. After studying with Stephen Drury at the

New England Conservatory in the Graduate Degree Program, Kawamura is now pursuing her DMA degree under Aleck Karis at the University of California San Diego. 

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201B Improv Ensemble

Monday, November 25th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free


New Works for Improvisers

featuring:
Joseph Bourdeau - found percussion
Teresa de Cossio Diaz - flute
Mariana Flores - voice
Juliana Villamizar Gaona - oboe
Felipe Rossi - Bass Clarinet
Alexandria Smith - trumpet
Jonathan Stallings - clarinet 
Qingqing Wang - piano
Ilana Waniuk - violin
Mark Dresser - bass/instructor

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Advanced Jazz Ensemble

Monday, November 25th, 2019 7:00 pm

The Loft at UC San Diego

Free



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Aleck Karis, piano & Michael Nicolas, cello

Tuesday, November 26th, 2019 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $10.50
Student Rush: Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online


Cellist Michael Nicolas and pianist Aleck Karis will perform Sergei Rachmaninoff's magnificent Sonata in G minor for Cello and Piano, Op. 19 (1901) along with the Cello Sonata in C, Op. 65, by the English composer Benjamin Britten. 
 

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UC San Diego Gospel Choir

Tuesday, November 26th, 2019 8:00 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Kalle Hakosalo, percussion - Guest Scholar Recital

Wednesday, November 27th, 2019 4:00 pm

Conrad Prebys Music Center Recital Hall

Free


As part of his residency at the University of California San Diego, Finnish percussionist Kalle Hakosalo presents a solo marimba recital featuring a mixed program of marimba literature and transcriptions of piano, cello and orchestral music. Romantic imagery and Baroque dances are contrasted with contemporary tone language and shimmering virtuosity meets intimate ambiance in this concert extraordinaire.

Time & place: Recital Hall (Conrad Prebys Music Center), 11/27/2019 at 4pm

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Piano Studio Recital

Monday, December 2nd, 2019 2:00 pm

Conrad Prebys Concert Hall

Free



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UC San Diego Vocal Masterclass

Monday, December 2nd, 2019 4:00 pm

Conrad Prebys Music Center Recital Hall

Free


UC San Diego Vocal Masterclass presents Make Our Garden Grow: Songs of Bernstein and Sondheim

The singers from the UC San Diego Vocal Masterclass offer a recital of songs and ensembles composed by Leonard Bernstein and Stephen Sondheim, two of the most celebrated theater composers of the past century. The program will feature selections from works both familiar and rarely heard, including Bernstein’s West Side StoryCandide and Peter Pan, and Sondheim’s Into the WoodsFollies, and Evening Primrose. The singers will be joined on stage by Dr. Kyle Adam Blair (piano) and Julianne Chen (cello).

Featuring:

Adam Berry, Sophia Casas, Rachel Dovsky, Elizabeth Fisher, Myasia Fox, Joseph Garcia, Lauren Jue-Morrison, Seongmin Kim, Leya Ledvin, Halana Macamay, Vita Muccia, Shane Ramil, Teagan Rutkowski, and Julia Yu. With Julianne Chen (cello) and Dr. Kyle Adam Blair (piano).

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Monday Night Jazz: UC San Diego Jazz Ensemble

Monday, December 2nd, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Dysfunctional Jazz Experiment

Tuesday, December 3rd, 2019 11:30 am

Mandeville Auditorium East Room

Free


Dysfunctional Jazz Experiment. Tuesday, December 3rd, 2019 11:30am. Mandeville Auditorium, East Room. Free
Paul Roth-Alto Sax
Tommy Babin-Acoustic Bass
Kevin Green-Drums

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Chamber Orchestra

Tuesday, December 3rd, 2019 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UC San Diego Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online


The UC San Diego Chamber Orchestra directed by Matt Kline presents their Fall performance on December 3, 7:30 p.m. at the Mandeville Auditorium. 

Program:

Overture in D Minor - Emilie Mayer

Symphony No. 35 in D Major "Haffner" - Wolfgang Amadeus Mozart

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33A Introduction to Composition

Wednesday, December 4th, 2019 2:00 pm

Conrad Prebys Music Center Recital Hall

Free



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WEDS7 Eliane Radigue's Occam Ocean

Wednesday, December 4th, 2019 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $10.50
Student Rush: Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online


Éliane Radigue (b. 1932) is a pioneering French composer of undulating continuous music marked by patient, virtually imperceptible transformations that purposefully unfold to reveal the intangible, radiant contents of minimal sound—its partials, harmonics, subharmonics and inherent distortions. As a student and assistant to musique concrète pioneers Pierre Schaeffer and Pierre Henry in the ‘50s and ‘60s, Radigue mastered tape splicing techniques, but preferred the creation of fluid, delicately balanced feedback works to the spasmodic dissonance of her teachers’ music. Finding peers among minimalist composers in America, Radigue began working with synthesis in 1970, eventually discovering the ARP 2500 synthesizer, which she would use exclusively for her celebrated electronic works to come. With remarkable restraint, Radigue spent years on each piece, painstakingly assembling series of subtle, pulsating ARP recordings to be later mixed meticulously into hourlong suites of precise, perpetual mutation, including masterpieces Trilogie de la mort and Adnos I-III. In 2001, Radigue adapted an early feedback work to live performance on electric bass, Elemental II, and in 2004, with the encouragement of ongoing collaborator Charles Curtis, she permanently abandoned electronics for acoustic composition, beginning with Naldjorlak for solo cello, composed for Curtis. As within each individual work, Radigue has maintained an obstinate focus throughout the flow of her career, her dedication to the materiality of sound earning her numerous accolades and ensuring her place as one of the most important composers of our time.

Occam Ocean is an ongoing series of solo and ensemble pieces composed by Radigue for individual instrumentalists in which a performer’s personal performance technique and particular relationship to their instrument function as the compositional material of the piece. The “knights of the Occam,” as Radigue refers to the performers participating in the project, are therefore musicians who have developed individualistic, creative approaches to their instruments; and the resulting compositions are not transferable to other performers on that instrument. Citing the ocean as a calming antidote to the overwhelming nature of our vibratory wave-filled surroundings, Radigue has named the tributary components of her Occam series with the image of fluid water in mind. Solo pieces are Occams, duo pieces Rivers, and larger ensemble pieces Deltas. The process of combining or over-laying the solos as small ensemble pieces, with only minor adjustments in the solos themselves, recalls Radigue’s procedure in the early feedback works made as sound installations, in which individual feedback loops are to combined freely in slight non-synchronization such that combinations of loops rarely or never repeat. With the extreme simplicity of Occam’s razor, continuous pieces that are iridescent on their own achieve a new radiance of interacting pulsation in their River and Delta configurations. The Occam series began in 2011 with a solo for harpist Rhodri Davies and has continued steadily to the present, counting now well over fifty individual solos and ensemble pieces.

Each night of Occam Ocean at Pace Gallery will feature different combinations of performances in Occam, River, and Delta configurations by Dafne Vicente-Sandoval, Charles Curtis, Rhodri Davies, and Robin Hayward.

 

Dafne Vicente-Sandoval is a bassoon player who explores sound through improvisation, contemporary music performance and sound installations. Her instrumental approach is centered on the fragility of sound and its emergence within a given space by testing the threshold between instability and control. Her long-term collaborations with a handful of composers engaged in music that demands a high degree of critical interpretation have led to the creation of a significant catalogue of solo pieces including compositions by Klaus Lang, Jakob Ullmann, and Éliane Radigue.

Acknowledged internationally as a performer of new and experimental music, cellist Charles Curtis has been associated with minimalist pioneer La Monte Young and Marina Zazeela since 1987, their intimate working relationship having yielded retroactive recalibrations of pieces like Young’s 1958 Trio for Strings. Curtis is also the first performer to collaborate with Éliane Radigue on a work for an unamplified, acoustic instrument without electronic support or accompaniment. This work, Naldjorlak, composed in 2004 and premiered in December 2005, is an hour-long, exhaustive enquiry into the inherent resonating properties of the cello.

Rhodri Davies is an improvising harpist who confronts traditional concepts of the harp through his use of preparations, detuned, bowed, and e-bowed strings. One of the most prominent members of the London reductionist school of improvised music, new pieces for solo harp have been composed for him by Philip Corner and Yasunao Tone, in addition to Éliane Radigue.

Robin Hayward is a tuba player and composer who has introduced radical playing techniques to brass instruments, initially through the discovery of the ‘noise-valve’ and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba, and began working on a solo tuba piece with Éliane Radigue, which became Occam XI. Other composer collaborations include Christian Wolff and Alvin Lucier.

 

Occam Ocean is part of Éliane Radigue: Intermediate States, a retrospective curated by Lawrence Kumpf and Charles Curtis and developed in collaboration with Éliane Radigue for Blank Forms in New York. The retrospective seeks to present Radigue’s practice in a richly contextualized, holistic manner to draw out important connections between her early and late periods of work, examining the breadth of her practice and juxtaposing her compositions with new interpretations and experimental re-stagings by contemporary composers. The retrospective will continue with more programs into 2020.

Éliane Radigue: Intermediate States has been made possible with generous support from Pace Gallery, Wales Arts International, the Goethe-Institut, and through the New Music Fund, a program of FACE Foundation, with generous funding from the Cultural Services of the French Embassy in the United States, Florence Gould Foundation, Fondation CHANEL, French Ministry of Culture, Institut français-Paris, and SACEM (Société des Auteurs, Compositeurs et Editeurs de Musique). 

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95W World Music Students

Thursday, December 5th, 2019 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



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IDEAS: Time Unfolded, with Johannes Reginier and Nakul Tiruviluamala

Thursday, December 5th, 2019 5:00 pm

Atkinson Hall Theater/VRoom

This event is free and open to the public.
RSVP requested to

galleryinfo@calit2.net


IDEAS: Time Unfolded, with Johannes Reginier and Nakul Tiruviluamala

Date: December 5th, 2019  to December 5th, 2019
Time: 5:00 pm - 7:00 pm
Location: Atkinson Hall Theater/VRoom , UC San Diego
Host: Shahrokh Yadegari, professor, Department of Music

DESCRIPTION/ABSTRACT:

Time Unfolded is an interdisciplinary and immersive multi-media work, combining highresolution video, dance and live electronics.

Time Unfolded is an exploration of the movements of a dancer, filmed in 4.6K and high frame rate and decomposed instant after instant, following and extending the techniques of chronophotography of Eadweard Muybridge and Étienne-Jules Marey, and accompanied by an immersive 8-channel live electronics performance. Through the interplay of sounds and images, time unfolds and shapes emerge from the succession of the instants.


SPEAKER BIO:

Johannes Regnier (UC San Diego Music) In a career that spans more than a decade, Johannes Regnier has been active as a composer and sound engineer and has conducted several projects in the field of electronic music. He studied mathematics at the University Pierre et Marie Curie in Paris, sound engineering at the Ecole Nationale Supérieure Louis-Lumière in Paris and sound art at the University of the Arts in Berlin. Regnier is currently pursuing a doctoral degree in computer music at UC San Diego under the supervision of Miller Puckette.

Nakul Tiruviluamala (UC San Diego Music) Nakul Tiruviluamala has a deep passion for music that began when he started studying piano at the age of four. He is a keyboardist, composer, singer, conductor, sound artist, and multiinstrumentalist. He received his bachelor’s of music in classical piano performance at UC Irvine. Afterwards, he earned both a master’s in music composition as well as an artist diploma in jazz piano performance at San Diego State University. He is currently pursuing a PhD at UC San Diego in computer music.

Verónica Santiago Moniello - Verónica is a Venezuelan-Italian choreographer and dancer currently based in the south of California and Mexico. She holds an M.F.A. Master of Fine Arts in the Theatre & Dance Program at UCSD, the University of California, San Diego (U.S.) and a B.A. in Dance Making by the Folkwang Universität der Künste, Essen (Germany), where she worked on Pina Bausch’s “Le Sacre Du Printemps” répertoire. Her practice is inspired by the relationships between human movement and unstable surfaces, the connection between the body, its organs and naturals elements, notions of memory and the idea of birth, antagonist subjects of resistance, utopian bodies, and dreams. Her projects have been presented in Mexico, Venezuela, Belize, Germany, Czech Republic, Lithuania, Spain and the U.S. Currently she is teaching Movement Laboratory for undergraduates at the Dance Program at UCSD in San Diego- California,U.S. Recently she has been choreographing “Women at War” (dir. Rebecca Johannsen,) at California State University San Marcos. Also Anna Moench’s “Mothers at Play” (dir. Bea Basso) at the Potiker Theatre in La Jolla. San Diego- California, U.S. She also has choreographed “Amor es más Laberinto” (dir. Raquel Araujo,) co-produced between the National Theater Company of Mexico and La Rendija theater company in MeridaYucatan. She has directed “Before the Horses Crash into the Ground, and then the Ground,” as part of her ongoing research “The Body that has Been Possessed” awarded by the Tinker Fellowship, CILAS (Center for Latin American and Caribbean Studies) and The Friends of California, and is co-creator of “DosLados;” a collaboration between Habitual and La Mecedora, that re-imagines new ways of shortening and folding the territory between, Rosarito, Tijuana and San Diego through dance. She has performed in the dance video piece “Until it Lives in the Muscle” (dir. Andrea Canepa) at the Bauhaus School (Dessau, Germany.) Also she has presented her solo “implicitself” at “Series of Performances” program hosted by Movement Research (NYC, U.S.) Since 2015 she has been guiding dance workshops and masters classes at “La Rendija” theater company at the same time collaborating with the dance company Tumakat as directors assistant for Vania Duran in Mérida, Yucatán (México.) 

MORE INFORMATION:

A reception will be held at 6 p.m.

This event is free and open to the public.

RSVP requested to galleryinfo@calit2.net

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Chamber Singers, 95K

Thursday, December 5th, 2019 5:30 pm

Conrad Prebys Music Center Recital Hall

Free



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Switch~ Ensemble

Thursday, December 5th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free


Katharina Rosenberger: surge for bass clarinet, cello, piano
Anna-Louise Walton: uttered for clarinet, cello, piano
Ashley Fure: therefore i was for cello, percussion, piano
Katharina Rosenberger: Up-Close new collaborative work for fl, bcl, vcl, pno, perc (as listed above!)

Performers:
Michael Matsuno, flute (guest)
Madison Greenstone, clarinets
Tyler J. Borden, cello
Rebecca Lloyd-Jones, percussion (guest)
Wei-Han Wu, piano
Jason Thorpe Buchanan, electronics and sound diffusion

 

A new music ensemble for the 21st Century, the [Switch~ Ensemble] is dedicated to the creation and performance of new works for chamber ensemble and multimedia. At the core of each performance is their commitment to the total integration of technology and live musicians. They strive for compelling artistry achieved through the seamless creation, production, and execution of new music.

They believe that working directly with composers throughout their creative process–in a medium where the score is a departure point rather than a finish line–allows for new and thrilling musical possibilities. Their collaborative practices are optimized for needs that differ radically from the creation and rehearsal of acoustic music, allowing for continuous experimentation and refinement.

They have enjoyed fruitful collaborations with both emerging and established composers, including Anna-Louise Walton, Alican Çamci, Igor Santos, Katherine Young, Stefano Gervasoni, Stefan Prins, Wojtek Blecharz, Anthony Vine, Rand Steiger, Philippe Leroux, and many others. Additionally, they have performed the American premieres of works by Alexander Schubert, Elvira Garifzyanova, Santiago Diez-Fischer, Lisa Streich, and Anthony Pateras.

[Switch~] contributes to the future of the genre by strongly advocating for and commissioning the music of a new generation of emerging young composers. They have commissioned new works by Timothy McCormack, James Bean. Our 2017-2018 season includes the premiere of new works by Matt Sargent, Esaias Järnegard, and Adrien Trybucki, residencies at Cornell University, Ithaca College, Bard College, and Buffalo State, as well as performances and recitals in New York City and San Francisco, including repertoire by Marianthi Papalexandri-Alexandri, Tonia Ko, and Sivan Eldar.

In the summer of 2016, the [Switch~ Ensemble] served as ensemble-in-residence at the Valencia International Performance Academy in Spain. At VIPA, [Switch~] worked alongside faculty and participant composers, led workshops and masterclasses, and premiered over a dozen new works. In May of 2017, [Switch~] premiered works for ensemble and electronics by seven doctoral students as ensemble-in-residence at the University of Chicago. Other recent highlights and invitations include a residency at Avaloch Farms Music Institute, the CD release of Christopher Chandler’s Smoke and Mirrors on the SEAMUS label, and featured concerts on the MATA Interval Series, the New York City Electroacoustic Music Festival, the Queens New Music Festival, the Vanguard New Music Series at Kent State University.

Founded in 2012 at the Eastman School of Music, the [Switch~ Ensemble] looks toward the future of contemporary music. They are dedicated to performing high-level chamber music integrated with cutting-edge technology and supporting emerging and early career composers. They are passionate about helping to build a diverse canon of 21st century works that leaves space for all voices—especially those that have historically been excluded from our field.

Facebook Event | View Google Map | Add to Google Calendar

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Marimba, Bow, Stone, Player

Friday, December 6th, 2019 3:00 pm

Conrad Prebys Music Center Recital Hall

Free


Kevin Good and Katie Eikam present Kunsu Shim’s rarely heard percussion piece “Marimba, Bow, Stone, Player."

View Google Map | Add to Google Calendar

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Chamber Ensembles

Friday, December 6th, 2019 7:00 pm

Conrad Prebys Concert Hall

Free



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David Aguila, trumpet - Graduate Recital 1

Friday, December 6th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



A Talk with Anthony Davis on “The Central Park Five”

Saturday, December 7th, 2019 3:00 pm

San Diego Central Library

Free


Join us for a conversation with composer Anthony Davis, conducted by UC San Diego Music professor emeritus Cecil Lytle, exploring the genesis of The Central Park Five and the artist’s duty to reflect on important social and political issues of the day.

Opera News has called UC San Diego Music Professor Anthony Davis, "A National Treasure," for his pioneering work in opera. His important contributions also extend to chamber, choral and orchestral music as well as improvised music and jazz. His six operas include works centered on recent historical figures Malcolm X and Patty Hearst. His latest opera, The Central Park Five, an exploration of the infamous wrongful conviction of five teenagers of color in NYC in the 1980s, premiered at the Long Beach Opera in 2019 to international acclaim.

View Google Map | Add to Google Calendar

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La Jolla Symphony & Chorus

Saturday, December 7th, 2019 7:30 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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La Jolla Symphony & Chorus

Sunday, December 8th, 2019 2:00 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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David Aguila, trumpet - Graduate Recital 2

Sunday, December 8th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Camera Lucida: Schumann, Kurtag, Mihaud, Strauss

Monday, December 9th, 2019 7:30 pm

Conrad Prebys Concert Hall

Reserved seating: $37
Faculty/Staff: $28
Students: FREE
UC San Diego Box Office
Ticket information: 858-534-TIXS (8497)



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Kalle Hakosalo, percussion - Guest Scholar Recital

Tuesday, December 10th, 2019 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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103A Introduction to Composition

Wednesday, December 11th, 2019 3:00 pm

Conrad Prebys Music Center Recital Hall

Free



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Fiona Digney, percussion - Graduate Recital

Wednesday, January 8th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Rebecca Lloyd-Jones, percussion - Graduate Recital

Thursday, January 9th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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one fish two fish, 32C percussion ensemble

Monday, January 13th, 2020 5:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Camera Lucida: Mozart, Beethoven, Rachmaninov

Monday, January 13th, 2020 7:30 pm

Conrad Prebys Concert Hall

Reserved seating: $37
Faculty/Staff: $28
Students: FREE
UC San Diego Box Office
Ticket information: 858-534-TIXS (8497)



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Mari Kawamura, piano - Graduate Recital

Thursday, January 16th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Grad Forum

Friday, January 17th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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ArtPower presents Beethoven Cycle Part 2 with Ariel Quartet

Friday, January 17th, 2020 8:00 pm

Conrad Prebys Concert Hall

An ArtPower presentation.
Tickets handled by
UC San Diego Box Office
Ticket information: 858-534-8497



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Lucia Mense - Performance Focus

Tuesday, January 21st, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



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David DeFilippo, computer - Graduate Recital

Thursday, January 23rd, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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1st Year Grad Composition Jury Concert

Friday, January 24th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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1st Year Grad Jury Discussion Session

Saturday, January 25th, 2020 9:00 am

Conrad Prebys Concert Hall

Free



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Lytle Scholarship Benefit Concert

Sunday, January 26th, 2020 3:00 pm

Conrad Prebys Concert Hall

Tickets may be purchased online at:
http://rels.ucsd.edu
All tickets are held at the door



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WEDS7 Prebys Concert

Wednesday, January 29th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Reed Family Concert: Beethoven Interpolations

Saturday, February 1st, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Felipe Rossi, composition - Graduate Recital

Monday, February 3rd, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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WEDS7 Susan Narucki, soprano

Wednesday, February 5th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Alexandria Smith, trumpet - Graduate Recital

Friday, February 7th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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La Jolla Symphony & Chorus

Saturday, February 8th, 2020 7:30 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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La Jolla Symphony & Chorus

Sunday, February 9th, 2020 2:00 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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David Borgo:50

Sunday, February 9th, 2020 5:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Camera Lucida: Ravel, Beethoven, Brahms

Monday, February 10th, 2020 7:30 pm

Conrad Prebys Concert Hall

Reserved seating: $37
Faculty/Staff: $28
Students: FREE
UC San Diego Box Office
Ticket information: 858-534-TIXS (8497)



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WEDS7 Mexican Music (Mostly Not)

Wednesday, February 12th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Telematics

Thursday, February 13th, 2020 8:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Soiree for Music Lovers

Friday, February 14th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Grad Forum

Friday, February 14th, 2020 7:30 pm

Conrad Prebys Music Center Experimental Theater

Free



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WEDS7 red fish blue fish

Wednesday, February 19th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Juliana Gaona Villamizar, oboe - Graduate Recital

Friday, February 21st, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Selector

Saturday, February 22nd, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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WEDS7 Palimpsest

Wednesday, February 26th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Bass Ensembles

Thursday, February 27th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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2 Pianos: Paganos & Zhang

Saturday, February 29th, 2020 5:00 pm

Conrad Prebys Concert Hall

Free



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Undergrad Forum

Saturday, February 29th, 2020 7:00 pm

Conrad Prebys Music Center Recital Hall

Free



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Monday Night Forum

Monday, March 2nd, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Kathryn Schulmeister, bass - Graduate Recital

Tuesday, March 3rd, 2020 8:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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WEDS7 Ricardo Descalzo

Wednesday, March 4th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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UC San Diego Gospel Choir

Thursday, March 5th, 2020 8:00 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Ilana Waniuk, violin - Graduate Recital

Friday, March 6th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Anthony Davis and Mark Dresser

Saturday, March 7th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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UC San Diego Wind Ensemble

Saturday, March 7th, 2020 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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Teresa Diaz de Cossio, flute - Graduate Recital

Sunday, March 8th, 2020 3:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Monday Night Jazz: UC San Diego Jazz Ensemble

Monday, March 9th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



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Chamber Orchestra

Tuesday, March 10th, 2020 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UC San Diego Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



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33B Introduction to Composition

Wednesday, March 11th, 2020 2:00 pm

Conrad Prebys Music Center Recital Hall

Free



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95W World Music Students

Wednesday, March 11th, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



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UC San Diego Bach Ensemble

Wednesday, March 11th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Piano Studio Recital

Thursday, March 12th, 2020 2:00 pm

Conrad Prebys Concert Hall

Free



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Chamber Singers, 95K

Thursday, March 12th, 2020 5:30 pm

Conrad Prebys Music Center Recital Hall

Free



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Chamber Ensembles

Friday, March 13th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



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Singers

Saturday, March 14th, 2020 2:00 pm

Conrad Prebys Music Center Recital Hall

Free



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La Jolla Symphony & Chorus

Saturday, March 14th, 2020 7:30 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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La Jolla Symphony & Chorus

Sunday, March 15th, 2020 2:00 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



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Voice Students, 32 VM

Sunday, March 15th, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



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103B Undergraduate Juries

Wednesday, March 18th, 2020 3:00 pm

Conrad Prebys Concert Hall

Free



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Madison Greenstone, clarinet - Graduate Recital

Tuesday, March 31st, 2020 8:00 pm

Conrad Prebys Music Center Experimental Theater

Free



ArtPower presents Spektral Quartet

Friday, April 3rd, 2020 8:00 pm

Conrad Prebys Concert Hall

An ArtPower presentation.
Tickets handled by
UC San Diego Box Office
Ticket information: 858-534-8497



Theocharis Papatrechas, composition - Graduate Recital

Friday, April 10th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



CEMEC

Saturday, April 18th, 2020 8:00 pm

Conrad Prebys Music Center Experimental Theater

Free



Taiwanese Studies presents Pi-hsien Chen, piano

Saturday, April 18th, 2020 8:00 pm

Conrad Prebys Concert Hall

Free



one fish two fish, 32C percussion ensemble

Monday, April 20th, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



Camera Lucida: Poulenc, Barber, Schmidt

Monday, April 20th, 2020 7:30 pm

Conrad Prebys Concert Hall

Reserved seating: $37
Faculty/Staff: $28
Students: FREE
UC San Diego Box Office
Ticket information: 858-534-TIXS (8497)



Michael Matsuno, flute - Graduate Recital

Friday, April 24th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Pandit Kartik Seshadri, sitar

Saturday, April 25th, 2020 7:30 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $10.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



Shaoai Ashley Zhang, piano - Graduate Recital

Monday, April 27th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



WEDS7 Anthony Burr, clarinets

Wednesday, April 29th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



La Jolla Symphony & Chorus

Saturday, May 2nd, 2020 7:30 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



ArtPower presents An Evening with J.S. Bach Takae Ohnishi and Friends

Saturday, May 2nd, 2020 8:00 pm

Conrad Prebys Concert Hall

An ArtPower presentation.
Tickets handled by
UC San Diego Box Office
Ticket information: 858-534-8497



La Jolla Symphony & Chorus

Sunday, May 3rd, 2020 2:00 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



Undergraduate Honors: Julianne Chen, cello

Sunday, May 3rd, 2020 3:00 pm

Conrad Prebys Concert Hall

Free



kallisti presents Chamber Opera

Wednesday, May 6th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

General Admission: $15.50
Faculty, Staff, Alumni: $10.50
Student Rush: Free, one-hour before concert, with ID
MUSIC Box Office: 858-534-3448
Purchase Online



Matthew Kline, bass - Graduate Recital

Thursday, May 7th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



kallisti presents Chamber Opera

Friday, May 8th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

General Admission: $15.50
Faculty, Staff, Alumni: $10.50
Student Rush: Free, one-hour before concert, with ID
MUSIC Box Office: 858-534-3448
Purchase Online



kallisti presents Chamber Opera

Saturday, May 9th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

General Admission: $15.50
Faculty, Staff, Alumni: $10.50
Student Rush: Free, one-hour before concert, with ID
MUSIC Box Office: 858-534-3448
Purchase Online



WEDS7 Aleck Karis, piano

Wednesday, May 13th, 2020 7:00 pm

Conrad Prebys Concert Hall

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



Selector

Saturday, May 16th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



Undergrad Forum

Saturday, May 16th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Monday Night Forum

Monday, May 18th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Camera Lucida: Debussy, Foote, Beethoven

Monday, May 18th, 2020 7:30 pm

Conrad Prebys Concert Hall

Reserved seating: $37
Faculty/Staff: $28
Students: FREE
UC San Diego Box Office
Ticket information: 858-534-TIXS (8497)



Alexander Ishov, flute - Graduate Recital

Thursday, May 21st, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Tyler J. Borden, cello - Graduate Recital

Tuesday, May 26th, 2020 8:00 pm

Conrad Prebys Concert Hall

Free



Piano Studio Recital

Thursday, May 28th, 2020 2:00 pm

Conrad Prebys Concert Hall

Free



UC San Diego Gospel Choir

Thursday, May 28th, 2020 8:00 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



Undergraduate Honors: Joseph Garcia, voice

Friday, May 29th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



103C Undergraduate Juries

Saturday, May 30th, 2020 10:00 am

Conrad Prebys Concert Hall

Free



UC San Diego Wind Ensemble

Saturday, May 30th, 2020 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UCSD Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



Undergraduate Honors: Savanna Dunaway violin

Sunday, May 31st, 2020 5:00 pm

Conrad Prebys Concert Hall

Free



Monday Night Jazz: UC San Diego Jazz Ensemble

Monday, June 1st, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Chamber Orchestra

Tuesday, June 2nd, 2020 7:30 pm

Mandeville Auditorium

General Admission: $15.50
UC San Diego Faculty, Staff, Alumni: $5.50
Students : Free with ID
MUSIC Box Office: 858-534-3448
Purchase Online



33C Introduction to Composition

Wednesday, June 3rd, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



95W World Music Students

Wednesday, June 3rd, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Chamber Singers, 95K

Thursday, June 4th, 2020 5:30 pm

Conrad Prebys Concert Hall

Free



Undergraduate Honors: Matthew Leveque, percussion

Thursday, June 4th, 2020 7:30 pm

Conrad Prebys Music Center Experimental Theater

Free



Chamber Ensembles

Friday, June 5th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Undergraduate Honors: Sherry Zheng, harpsichord

Saturday, June 6th, 2020 5:00 pm

Conrad Prebys Concert Hall

Free



La Jolla Symphony & Chorus

Saturday, June 6th, 2020 7:30 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



La Jolla Symphony & Chorus

Sunday, June 7th, 2020 2:00 pm

Mandeville Auditorium

For ticket information call 858-534-4637 or go to lajollasymphony.com



Voice Students, 32 VM

Sunday, June 7th, 2020 5:00 pm

Conrad Prebys Music Center Recital Hall

Free



Undergraduate Honors: Teagan Rutkowski, voice

Monday, June 8th, 2020 7:00 pm

Conrad Prebys Concert Hall

Free



Best of ICAM

Thursday, June 11th, 2020 7:00 pm

Conrad Prebys Music Center Experimental Theater

Free



In an effort to conserve resources and reduce paper waste, we post our event programs as electronic documents on this page (see listings, below). If you are not at a computer, you can easily access this page by scanning the QR code at right (for iPhones we recommend using the built-in camera app). Programs for past events dating back to October 2008 are available in our events archive with links below.

PLEASE NOTE: As an experimental and new music department, much of our music is very intimate and quiet, for this reason, we request that students preparing concert reports refrain from writing or rustling papers during events.  We also respect the artistry of our musicians and adhere to a strict policy of NO LATE SEATING.  Guests arriving late may be turned away or will be asked to enter between pieces.

Please Note: The Department of Music does not take responsibility for the content of external websites, Facebook pages, and other outside UCSD.

Copies of events performed by the faculty and students of UCSD Music Department are available for educational use only by the performers, composers and faculty involved in the event pursuit to all applicable copyright laws. View our Dubbing Policy for more information.

View events only for these locations:

 Conrad Prebys Concert Hall | Recital Hall | Experimental Theater | Mandeville Auditorium

View Event Archives:

2018/19   2017/18   2016/17   2015/16   2014/15   2013/14   2012/13   2011/12   2010/11   2009/10   2008/9   2007/8   2006/7  

All Archived Events